Demonstration (step by step guide)

Step 2

I liked the way the 'tooth' of the pastelpaper held onto the pastel and felt confident to build up layers of colour. The eyes are always the key to a cat portrait and I was happy to see that I could 'glaze' over with a light magenta to show some reflection giving life and the illusion of wetness to the eyes. It was important not overdo this however, as I had to bear in mind that the eyes were actually in the shade and not reflecting direct sunlight. With that in mind a magenta was used in preference to a bright white which would have been a mistake. I was beginning to spread an undercoat of raw sienna colour across the body by this stage.

For further information please also visit Eric's sister website www.ericwilsonwildlifeart.com for a full gallery of paintings including his very latest works, portraiture, information about the artist, his research trips, exhibition schedule, commission status, private tuition courses, appearances and lectures.